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ItinéraireBis est fier d’être partenaire du Festival Parachute Light Zéro ACT II les 21 et 22 mars aux Nautes.

Détails de la soirée

►►► Parachute Light Zéro Act II

Selection Oficial Parachute Light Zero ACT II

Director / Country / Video

• Maia Ferro Argentina OM
• Tulio Santander Argentina Suspicious Minds
• Fernanda Fongi Argentina Náma
• Carlos Nahuel Cerutti Argentina BOB (daily nichtmares)
• Gabriel otero Argentina project 92
• Jeroen Cluckers Belgium Oneiria
• Diego Akel Brazil Poliglota
• Diego Akel Brazil Bandeira
• Dimitar Dimitrov Bulgaria The day of the bleeding gums
• Katarzyna Guzowska Canada Linear motion
• Oliver A. Dubois Canada 1500 Niños
• Anton Wong Canada Chin up Kiddo
• Rick Fisher Canada Arcadia
• Chad Galloway Canada The Dollhouse
• Wirk Mead Canada Summer 1975
• David Latreillle Canada Scarlet
• Greg Doble Canada False Allegory
• Elisabeth Desbiens Canada Dancing Montreal
• Elisabeth Desbiens Canada Dancing In Paris
• David Latreille Canada F/RNO
• David Latreille Canada The Boudoir
• Tomas Vergara Chile Isolated
• Joe Chang China Rain Lotus
• Luka Curcic Croatia Trust No One
• Mayye Zayed Egypt The Lady bugs
• Jukka-pekka Jalovaara Finland K.E.R.O.S.E.N.E poems from the planet
• Joonas Makkonen Finland The introduction video pf Janne Anttila
• Eija Temisevä Finland Touching inside
• Alix Desaubliaux France To stare at someone
• David Ellis France UHF
• Hadrien don fayel France The depth of a song – Spectrum Orchestrum
• Pierre-Julien Fieux France Marius
• Celine Trouillet France Song N°23
• kevin Nogues France Fracas (Roar)
• Aliénor Vallet France quantic hamlet
• Sandrine Deumier et Philippe Lamy France hotel 54
• Nikolas Koroloff France Gallery T
• Jasmin Luu Germany Humus
• Jasmin Luu Germany Omo
• Wilfried Agricola de Cologne Germany Cologne Off
• Madlen Rosalie Folk Germany Temptatio
• Claire Walka Germany Promenade d’après-midi
• Bernhard Eder Germany Bernhard Eder – The Queen and the Knight
• Carlos Vasquez Germany Magic Memories – Memory 1: Put your hands up for Neo Tokyo
• Carlos Vasquez Germany Silje Nes – Mirrored/Mirror
• Carlos Vasquez Germany Silvan Glade – Earnest and Without you
• Kuesti Fraun Germany Ben
• Kuesti Fraun Germany Capacities
• Kuesti Fraun Germany Kaputtccino
• Stathis Kampylis Greece Under the Bodhi Tree for flute and electronics Visuals by COMODDOR
• Mario Garefo Greece The Man Who Fed His Shadow
• Emy Bulloch Greece Minotaur
• Giannis Miliaresis Greece twilight city
• Shashwati Talukdar India The Girl
• Shashwati Talukdar India The sound of bombons
• Parnaz Rad Iran Hole
• Barzan Rostmi Iran The sound of road
• Ahmad Mokari Iran The Survivor
• Ramin Rahimi Iran Cenapse #1
• Ramin Rahimi Iran Cenapse #2
• Motahareh Ahmadpour Iran Red Point
• Zarin Salahi Iran Approachig Rest Area
• Jade Travers Ireland Today’s yesterday
• Damien O’connor Ireland Anya
• Noel McEligott Ireland Detention
• Jenny Birger Israel Lurking
• Bilgi Diren Günes Istanbul Natürmorg
• Giuseppe Boccassini Italy Lezuo
• Apotropia (A.Mignone & C. Panepuccia) Italy K
• Mario Cirillo Italy We are all making a mistake
• Sonia Laura Italy Kiss – EE
• Marianna Fumai Italy La Controra
• Davide Minotti Italy Just a tiny crappy dream
• Chiara Dainese Italy Ledi.elle
• Sander Bultman Netherlands Exhume
• Epsen Olsen Norway Fender Heist-Fighter
• Joanna Bonder Poland Digits
• Bartosz Kruhlik Poland AD REM – GIRL (Social advertising)
• Stefano Miraglia Poland Katokino
• Wojciech Klimala Poland Entropy
• Leonor Pacheco Portugal Take it easy – Maria
• Olga Guse Russia Decadence of Nature
• Eileen NTU Singapore The Girl and her Tail
• Eileen NTU Singapore The Animals
• Eileen NTU Singapore Downtown
• Justin Bratton Singapore Petals and Thorns
• Isabel Pérez Spain L’Utopie du corps
• Pol Diggler Spain Honey Honey
• Javier Marco Spain Grown Ups
• Yianna Dellatolla Spain Seven Moons Music
• Roberto Chinet Spain Estrella
• Viktor Hertz Sweden We got your back
• Kaveh Akaber Sweden Morning routine
• Didi Fromherz Switzerland Happy Boliches nocturnos de ROSARIO (para no perderse !!)on!
• Biju Viswanath Tanzania Shadow tree
• Naci Anil Konya Turkey O2(Oxigene)
• Furkan Ethem Erdogan Turkey Bond
• Julija Proskurina Ukraine Showertime sadness
• Igor Prfenov Ukraine The Dependents
• Oleksii Sobolev and Misha Koroteev Ukraine PTSD
• Pepe Gomez United Kingdom Two dancers
• Alessandro Carmeci United Kingdom Blindness
• Adam Drew United Kingdom Loopy
• Yukai Du United Kingdom Way out
• Jack Davies United Kingdom Venice
• Riz Maslen United Kingdom Tohan Tales
• Jordan Rodgers United Kingdom Sense and Sustainability
• Joshua Yates Usa Tha Bags, Probably 1971
• Michelle Marquez Usa The Emotional Dimensions
• Abbey Sacks Usa Collision
• Marcos Carrasco Usa Here
• Jamil Lahman Usa Dirty Laundry Day
• Jeffrey Schreckler Usa El mundo del futuro
• Diana Bald Usa Francesca
• Jeremiah Kipp Usa Drool
• Ariana Gerstein Usa Performance for Porjection 1200
• Ann Prim Usa Filmeto
• Nick Ramey Usa Conscription
• Wynter Rhys Usa Little Red
• Andrew Porterfield Usa Don’t be afraid of the dark
• Damon Andrew Embry Usa Nihilists need love too
• Kelly Buckholdt Usa Cupcake
• Carolina Blanco Venezuela Anguis
• Amanda Pérez Venezuela Breathe
• Roman Przylipiak Warsaw KRIMH-Black Death

PROGRAMME ►►

►►► 21 mars

Restaurant Lounge

► 15.00 Court-métrages

CologneOFF 2015 Brave New World
Curated by Wilfried Agricola de Cologne
in collaboration with Institut Fuer Alles Moegliche Berlin

Fatih Bilgin (Turkey) – How would you like to Migrate, 2013, 3.36
Armstrong Tarke (Cameroun) – REVERSE CIVILISATION, 2014, 3:57
Gabin Cortez Chance (USA) – Do Americans Dream of Being Electric Sheep, 2014, 7:52
Orsolya Bajusz (Hungary) – Bela’s Struggle, 2011, 9:00
Fabian Heitzhausen (Germany) – I’m Game, 2014, 3:08
Marcantonio Lunardi (Italy) – 370 New World, 2014, 5:08
Kristina Cranfeld (UK) – Manufactured Britishness, 2013, 10:00
Mr MVIN (Spain) – BREAK GLASS IN CASE OF CRISIS”, 2013, 1:50
Gabriele Tosi (Italy) – The Extreme Challenge, 2014, 4:56
Yuval Yairi & Zohar Kawaharada (Israel) – Land, 2013, 4:36
William Pena (Colombia) – Control, 2013, 3:45
Kaiser Nahhas (Syria) – Anti Censoship Protest at Taksim, 2014, 2014, 4:27
Hande Zerkin (Turkey) – Democracy, 2014, 2:34

► 16.00 Gallery T Le Volet intitulé “05 LANGAGES”
Curated by Nikolas Koroloff

►16.30 Sélection Officielle Parachute Light Zéro

Catégorie :

• Breathe
• Goodbye Blue Sky
• Comfortably Numb
• Empty Spaces
• Alan’s Psychedelic Breakfast

Club Et Terrasse

► 17.00 Performance Gustative & Cocktails
Sushi Caprice du Chef

►18 .30 DUCHESNE Mélodie & AIRPLANE (Marseille) Performance corporelle & Audiovisuelle “ Excoordisme ” (œuvre inédite)

►19.30 Frederic Krauke (Berlin) y Antonio Chipriana (Paris), perfomance “Les Retournées” (œuvre inédite)

►20.00 Jitterlag Live

►21.00 Clémentine & Mushroom Sushi Girl

►21.30 Anna Stereopoulou GALANTHUS

►22.00 Adèle Paris – Vinyl

►00.00 James Taylor – UK – Live

►►► 22 Mars

►16.30 Sélection officielle Parachute Light Zero

Catégorie :

• Breathe
• Goodbye Blue Sky
• Comfortably Numb
• Empty Spaces
• Alan’s Psychedelic Breakfast

Club Et Terrasse

►18.00 Performance Gustative & Cocktails
Sushi Caprice du Chef

►18.30 Led “X-Peri-Mental: Mirage”

►19.00 Gabriel Otero Project 92

►19.30Violette Fall (NL/DE) Seashore Fragments (Live)

►20.30 Dj Selector Edgar Rebel from African Ship Sound System (vinyls)

►22.00 Dj Eve Lys (vinyls)

►►► Les Artistes :

► CologneOFF 20XX – videoart in a global context –
Searching for an ideal form of presenting “art & moving images”

As a dynamic media art event context and nomadic festival project designed, programmed, C de la Presse
urated and directed by Agricola de Cologne in the framework of Cologne International Videoart Festival, “CologneOFF 20XX – videoart in a global context” started in 2010, when he took the perception how the jury for his 6th festival edition (directors of 7 renown international festivals) was voting – just one video collected 4 votes showing the curators following strictly their individual curatorial point of view – as the basis for researching an (his) ideal form of (re)presenting videoart.
The result is a flexible work in progress, a process incorporating the idea of a festival, not bound to a physical location, but travelling from one venue, country and continent to another presenting a hybrid type of mono-channel videos, which can be presented in the same way via screening, projection and installation.

A dual system is forming the supporting frame-work
– virtual (online) components (see links) – all videos, info & event updates online – juxtaposed with the physical component in form of networked screenings & exhibitions
– Agricola de Cologne’s curatorial opinion juxtaposed with the curatorial opinions of 40 curators (40 countries) demonstrating the multi-facetted diversity of artistic and curatorial approaches
– the active presenter juxtaposed with the passively consuming audience to be activated via interventions like lectures, panel discussions, artists talks, round table or workshops, not to forget the different types presentation forms, in total, an interactive context intending to link the audience, artists, curators and institutions by thinking and acting in new terms without any restriction.

About CologneOFF

Founded in 2005 and unique in its kind, CologneOFF is based on the unconventional concept to be a festival without a static festival location but built on global networking instead, based on a growing collection of art videos to be expanded each year by realising a new festival edition, instead of organising each year again an event just for 3 days, based on a dual system of equal virtual and physical components, focussing on new and experimental artistic expressions, instead of following already known paths. All this gives its founder and director Agricola de Cologne all freedom to set through his ideas of encouraging artists to create “total art” works by using the multi-facetted medium of digital video.
In 2014, CologneOFF was realising its 10th festival edition celebrating 10 years exciting developments in the field of “art and moving images”

Cologne International Videoart Festival is operated by artvideoKOELN – the curatorial initiative “art & moving images”.

CologneOFF 20XX – videoart in a global context –
Searching for an ideal form of presenting “art & moving images”

As a dynamic media art event context and nomadic festival project designed, programmed, curated and directed by Agricola de Cologne in the framework of Cologne International Videoart Festival, “CologneOFF 20XX – videoart in a global context” started in 2010, when he took the perception how the jury for his 6th festival edition (directors of 7 renown international festivals) was voting – just one video collected 4 votes showing the curators following strictly their individual curatorial point of view – as the basis for researching an (his) ideal form of (re)presenting videoart.
The result is a flexible work in progress, a process incorporating the idea of a festival, not bound to a physical location, but travelling from one venue, country and continent to another presenting a hybrid type of mono-channel videos, which can be presented in the same way via screening, projection and installation.

A dual system is forming the supporting frame-work
– virtual (online) components (see links) – all videos, info & event updates online – juxtaposed with the physical component in form of networked screenings & exhibitions
– Agricola de Cologne’s curatorial opinion juxtaposed with the curatorial opinions of 40 curators (40 countries) demonstrating the multi-facetted diversity of artistic and curatorial approaches
– the active presenter juxtaposed with the passively consuming audience to be activated via interventions like lectures, panel discussions, artists talks, round table or workshops, not to forget the different types presentation forms, in total, an interactive context intending to link the audience, artists, curators and institutions by thinking and acting in new terms without any restriction.

About CologneOFF

Founded in 2005 and unique in its kind, CologneOFF is based on the unconventional concept to be a festival without a static festival location but built on global networking instead, based on a growing collection of art videos to be expanded each year by realising a new festival edition, instead of organising each year again an event just for 3 days, based on a dual system of equal virtual and physical components, focussing on new and experimental artistic expressions, instead of following already known paths. All this gives its founder and director Agricola de Cologne all freedom to set through his ideas of encouraging artists to create “total art” works by using the multi-facetted medium of digital video.
In 2014, CologneOFF was realising its 10th festival edition celebrating 10 years exciting developments in the field of “art and moving images”

Cologne International Videoart Festival is operated by artvideoKOELN – the curatorial initiative “art & moving images”.

► Duchesne Mélodie & Airplane

Performance corporelle & Audiovisuelle “ Excoordisme ” est une performance, qui associe l’improvisation corporelle, l’expérimentation sonore et la vidéo-projection. duration max 45min. 2015 (œuvre inédite / original work)

► Frédéric Krauke & Antonio Chipriana,

art-action by les revenants“ //// „the returnees“ with the assistence of Rosa González Sánchez

For Parachute Light Zéro Frédéric Krauke works together with the performance-artist Antonio Chipriana, as “Krau-Chip”.
Both will merge together for the first time. They have developed the concept of this art-action based on the idea of increasing pressure and fear in a capital like Paris in though days, searching for the future and hope bringing aspects of art and phantasy as a necessary and elementary part of an free and critique society.

Frédéric Krauke
was born and lives as an artist in Berlin. Originally coming from the fine arts media drawing and print-making, F.K. has developed his artistic work in short-movies, organizing and realizing several art-events, combining the diversity of medias and personalities of his colleges. Meanwhile he uses the performances art, as a way to combine this experiences to transcend personal, physical and spiritual limits, most often in exchange and collaboration with other artists.
The performance develops in a process of approaching the moment of action. It can not be rehearsed and recalled like a theater-piece.
It depends on the situation; space, time and conditions. The tension in the fore field in between imagination and preparation remains until the moment of release in the transcendental act of performing and creates its own reality and consciousness.

► Clementine D. Calcutta / Vj Mushroom Sushi Girl

Mise en abîme de la destinée humaine sous le prisme de l’histoire de Yumiko qui, se sachant condamnée décida de mettre fin à ses jours dans la forêt d’Aokigahara. Sushis empoisonnés, les vers d’Une Saison en Enfer et quelques Fleurs du Mal en guise de compagnons funèbres pour ce dernier repas précédant le voyage sans retour.

► Anna Stereopoulou GALANTHUS

The music piece «Galanthus» was composed, mixed and mastered by Anna Stereopoulou (April-May 2014), for the MAARBLE «Sounds of Space» Musical Composition Contest (2014). The composition consists of various space sounds (i.e. electromagnetic waves), “compiled through the Canadian Array for Realtime Investigations of Magnetic Activity (CARISMA) data”, offered to all participants. The audio files (in .wav format) are taken from the two available categories (20Hz & 100Hz) and used both “in their original form and in various technically modified forms”. Towards the final section of the piece [07:18 – 07:55 /(08:07)] we listen to the only sound performed and produced by the composer, when the melody -previously created by space sounds- is now performed on Piano, in a retrograde transformation. Galanthus plant is said to have been an antidote against Circe’s poisonous drugs (Greek mythology). Mother -planet- Earth; i.e. Nature is the greatest teacher and healer, through close observation and listening of its functions and miracles found within its microcosm and macrocosm, we are invited to Learn. The work «Galanthus» holds an important place in the composer’s project and research « c i r c e :the black cut: ». [Detailed Info about the work: http://wp.me/p2zRWp-j6]

► Adele Paris – Vinyl

Adèle Paris est de ces jeunes pousses à suivre avec attention. Présente aussi bien sur de nombreux événements parisiens, français et étrangers aux configurations toujours changeantes, son éclectisme allié à une technique sûre autant qu’osée du vinyle l’a progressivement amenée à côtoyer des collectifs de qualité. Principalement axé dans une veine House certaine, son style n’en est pas moins libre et sait faire des détours par les racines Disco et Soul du genre pour mieux aller flirter avec les horizons technoïdes allemands et roumains récents. Membre de la famille SeekSickSound, elle contribue au webzine au travers de chroniques House toutes en finesse, preuve supplémentaire d’un esprit de découverte s’aventurant bien loin des sentiers battus.

► Lugano Fell – Live

is the solo project of James Taylor of Swayzak. Being highly active in the techno world for over 12 years and releasing 5 CD albums and 3 mix CDs, this alternate venture started as a tonic for too many weekends of earbashing in the clubs of Europe. It has evolved over the last 3 years into a mature and intensely personal music.

Utilising a huge range of sound producing devices, the music of Lugano Fell never stands still. From the early work of hardware tonal feedback drones, to computer manipulation via guitar abuse and cassette mashing. Over several CDr releases the sound has swerved and dodged until to coming to the peaceful resting place where we now find ourselves.

► L:ED

est un collectif d’artistes actuellement créé par la massacreuse graphique Dorianne Wotton et le forgeron sonore Exomène.
L:ED comme « Experiments in Digital »
L:ED comme « Exomène et Dorianne»
L:ED comme « Esthétique de la Désolation »
En plus de leurs créations respectives, les « partenaires dans la vie, le crime et l’art » Exomène et Dorianne Wotton collaborent depuis 2004 dans des domaines comprenant, la photographie, la vidéo, les arts numériques et les performances multimédia.
Leurs récents projets, de plus en plus ouverts à d’autres partenaires et artistes, les ont conduit à créer ce collectif afin de faciliter l’émergence et la concrétisation de nouvelles réalisations.
Le collectif a pour ambition de favoriser la création, la promotion et la diffusion d’oeuvres artistiques multimedias, en particulier numériques et digitales.
L:ED entend donc s’ouvrir à d’autres artistes et espaces, favoriser les collaborations et encourager l’accomplissement de ses membres et de leurs projets .

► Violet Fall

is a duo of electronic music composed by Elisa Batti (NL/IT) -electronics- and Jenny Thiele (DE) -voice and keyboard-.

Their project, that was just recently born, blends together the ethereal and at the same time energetic voice of Jenny Thiele with the dry sounds and beats of Elisa Batti. In this landscape, through vocalisms, small talks, breathes and small games, the voice becomes as well a musical instrument and also a perfect tool to be further manipulated with the help of the electronics.
Violet Fall melodies create an emotional world where the rythmical pattern merge with a canvas of continuosly sliding and soflty evolving sounds. The electronic sounds, that are all hand krafted in a MAX MSP environment, recall the japanese electronic scene.
The duo alchemy is perfectly bonded thanx to the complementarity and diversity of the two musicians, making the live set a powerfull act.

► Eve Lys

composer , life lover ,passionated autodidact i wish to SHARE music with YOU to dance or chill… i m mad about radio and voices
i like the mike to speak,make spoken- words or sing ..
My music has no format, no precise concept except may be the one to be composed in a LIVE way, in total freedom,
much fun & many experimentations .
I milit for DETROIT TECHNO, DEEP TECHNO , and for AMBIENT & EXPERIMENTAL, CONTEMPORARY MUSIC and CLASSIC MUSIC that i love to mix with TECHNO.
I like the music that tells a story : That makes you see things , like a vision. i call it Visual Music .
Some tracks are signed, others not.
I m “building” in my home studio, step by step a concept album.
it will be about clouds in the sky,life,ambient and techno music !
as i am Vinyl-addict, my dream would be to be signed on a ViNYL for this !!-i know i m a serious dreamer ! but dream makes life !
As i told you before i m a radio lover,
My radio show MONTMARTRORAMA began on radio23.org (usa) some five years ago and went on for 2 years on radio sensations (fr) till June 12.

Between Roma and Paris.
I created with Max Durante a concept called TECHNA :
its parties about WOMEN MAKING TECHNO : women using various technologies to create their arts.
it s about music but not only : painters, photographers, stylist and so on are present !

NEW FOR 2014
i m very happy to take part of FEMALE:PRESSURE, thanks to Suzanne, ELECTRIC INDIGO who contacted me recently to join this great database of women acting in the electronic and club culture as musicians or visual artists.

► Gabriel Otero [Project 92]

L’Océan Pacifique a déjà reçu autour de 800 tonnes de matériel radioactif depuis l’explosion de la centrale nucléaire de Fukushima et ce, sous le silence éclatant des médias. L’histoire de Fukushima devrait faire la une tous les jours.

Les spécialistes les plus brillants de la planète devraient travailler ensemble pour essayer de trouver une solution ou, ne serait-ce que la manière de faire face aux conséquences de cette catastrophe sans précédent qui nous expose à des risques de radiation jamais rencontrés depuis l’origine de l’humanité.

The Pacific Ocean has already received around 800 tons of radioactive material from the explosion at the Fukushima nuclear plant and that, under the bright silence of the media. The story of Fukushima should make a daily basis.The brightest of the world should work together to try to find a solution or, if that the way to deal with the consequences of this unprecedented disaster that exposes us to risks of radiation ever encountered from the beginning of humanity.

太平洋は、すでにメディアの明るい沈黙の下で、福島原子力発電所の爆発し、そこから放射性物質の約800トンを受けています。福島の物語は、日常的に確認する必要があります。世界の最も明るいは、放射線のリスクに公開し、この未曾有の災害の影響に対処する方法がこれまでに最初から発生したことをした場合、解決策を見つけるか、しようとするために一緒に動作するはずです人類の。

[Project 92] invite à une réflexion autour de la problématique de la pollution meurtrière des océans, notamment suite à l’explosion de la centrale nucléaire de Fukushima Dai-ichi, au Japon, le 11 mars 2011. Ce, sous le regard complice, indifférent et inconscient de l’homme qui détruit, dégrade, pollue, contamine, extermine, oublie, déracine. En cette période où la planète subit la (ou une des) plus grande(s) contamination(s) de l’histoire de l’humanité, il nous semble important qu’une manifestation artistique puisse rappeler ce désastre écologique.

235 [92] Work in progress – World wide net art open call : Project 92

https://vimeo.com/118086109

https://www.facebook.com/pages/Project-92/929406360412387

11 mars 2011, la centrale nucléaire de Fukushima explose suite à un tremblement de terre : c’est le plus grand désastre écologique jamais subi par la nature depuis l’existence de l’homme.

Project 92 : Appel à projet international – Net Art

L’appel à projet a pour objectif de rassembler les oeuvres des 92 artistes participants, ayant comme sujet la pollution environnementale. Chaque vidéo, qui aura une durée de 2.35 min. viendra composer une vidéo finale (216.2 min.) qui sera projetée le 11 mars 2016, date anniversaire de la catastrophe écologique de Fukushima, dans des musées, festivals internationaux, médias spécialisés, … préalablement sélectionnés, afin de sensibiliser le plus grand nombre aux désastres écologiques qui ont un effet nefaste sur l’écologie, la planète et la santé.

NOTA : Cette vidéo pourrait également être proposée dans le milieu scolaire et universitaire, fondations, associations pro environnementales, etc. dans le cadre d’ateliers spécifiques. Projet à développer.

►All videos have to be sent via We Tranfer (1280×720 pixels ou 720 x 576 )

►Mpeg 4 , H264

►Duration 2 minutes 35 Seconds

►Curators of Video Selection: Leticia Otero, Gabriel Otero, Anna Stereopoulou

Parachute Light Zéro © Concept Artgentin

►►► Plus d’information sur :

www.gabrielotero.com/parachute-light-zero/com

conceptartgentin@gmail.com

Association Concept Artgentin
61 rue des morillons
75015 Paris

Parachute Light Zéro © Concept Artgentin

▬▬▬▬ INFOS PRATIQUES ▬▬▬▬

Entrée Libre / FREE Entrance

Les Nautes
1-5 Quai des Céléstins
75004 Paris
Métro : Sully-Morland (ligne 7) ou Saint-Paul (ligne 1)

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www.facebook.com/ParachuteLightZero
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▬▬▬▬ Festival Parachute Light Zero Thanks ▬▬▬▬

Paris

www.thechesshotel.com
www.digitalarti.com/fr
www.lebonbon.fr
www.casse-bon-bon.blogspot.fr/
www.itinerairebisblog.com
www.facebook.com/pages/Le-Club-VJ/406602286081134
www.facebook.com/AssociationJeSwi

Nancy

www.digitaliiis.com/
www.facebook.com/pages/GALLERY-T/167283853393236

Berlin

www.kunstrial.org/
www.kunstrial.org/kunstrial-culture/parachute-light-zero/

Cologne

http://artvideo.koeln/
www.coff.newmediafest.org
www.coff.newmediafest.org/blog

Grèce

www.annastereoscopic.wordpress.com/2014/12/27/parachute-light-zero-act-ii-festival-open-call-paris-fr/

Argentine

www.headlinersmag.tumblr.com
www.facebook.com/H3adLinerS

Prague

www.kinocirkus.net
www.facebook.com/kino.cirkus.page

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